000			01584nam a22002537a 4500
003			OSt
005			20240903121031.0
008			240903b |||||||| |||| 00| 0 eng d
020			_a9780262029070
040			_cUSEK
082			_221 _a794.8 _bSh521w 2015
100			_aSharp, John. _95209
245			_aWorks of Game : _bOn the Aesthetics of Games and Art / _cJohn Sha.rp
250			_a1st. ed.
260			_aCambridge : _bThe MIT Press, _c2015.
300			_a146 p. _bfotos byn
490			_aPlayful Thinking ;
504			_aIncluye Bibliografía.
520			_aGames and art have intersected at least since the early twentieth century, as can be seen in the Surrealists' use of Exquisite Corpse and other games, Duchamp's obsession with Chess, and Fluxus event scores and boxes -- to name just a few examples. Over the past fifteen years, the synthesis of art and games has clouded for both artists and gamemakers. Contemporary art has drawn on the tool set of videogames, but has not considered them a cultural form with its own conceptual, formal, and experiential affordances. For their part, game developers and players focus on the innate properties of games and the experiences they provide, giving little attention to what it means to create and evaluate fine art. InWorks of Game, John Sharp bridges this gap, offering a formal aesthetics of games that encompasses the commonalities and the differences between games and art.
650		0	_aESTETICA. _95210
650		0	_aARTE E HISTORIA DEL ARTE. _95211
650		0	_aVIDEOJUEGOS _xDISEÑO. _92858
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999			_c24068 _d24068